Have you ever come across these posts and wondered, what is a “reuters”? Or maybe who is Reuters? Welcome to my petty little beef about the use of that name in C-Dramaland!
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A Taiwanese political drama on Netflix set off a #MeToo wave across the island that embroiled politicians, diplomats, academics, activists, celebrities, and many others. Half a decade after the movement swept through the U.S. and beyond, Taiwan was finally having its own moment of reckoning. But more than a year later, has anything changed?
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Since I started watching Asian dramas, I’ve become increasingly curious about the world of subtitles, translators, and voice dubbing. In China, many dramas will employ separate voice artists to dub over the original voices of the actors. Some actors also dub their own voices. Ever wonder why?
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If you love the soundtrack as much as I do, and also love going down mini rabbit holes and getting nerdy about behind-the-scenes production details, my friend Wuulongcha’s latest blog post is for you. I loved the post because it’s exactly the kind of informative deeper dive into C-drama pop culture that is not always accessible to non-Chinese readers, making it a unique and valuable bridge for international fans who want to learn more.
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Xiao Zhan shared a lengthy and deeply personal message exactly one year after the “AO3 227” incident that nearly killed his career. It’s heartfelt reflection on what happened a year ago and the fallout that followed. But why would he even draw attention back to the event at a time when his career appeared to finally be recovering?
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Chinese actor Xiao Zhan penned a very personal open letter about what happened to him a year ago in the AO3 227 incident and what followed. It is a case study in toxic fan culture, China’s idol economy, and the rise and fall — and rise again, of a star.
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